In Ciudad Juarez, just across the border from El Paso, Texas, a territorial power normalized barbarism. This anomalous ecology mutated into a femicide machine: an apparatus that didn't just create the conditions for the murders of dozens of women and little girls, but developed the institutions that guaranteed impunity for those crimes and even legalized them. A lawless city sponsored by a State in crisis.
Sergio González Rodríguez is one of Mexico’s most important contemporary writers. He is the author of Bones in the Desert, the most definitive work on the murders of women and girls in Juárez, Mexico, as well as The Headless Man, a sharp meditation on the recurrent uses of symbolic violence; Infectious, a novel; and Original Evil, a long essay. The Femicide Machine is the first book by González Rodríguez to appear in English translation.
Written especially for Semiotext(e) Intervention series, The Femicide Machine
synthesizes González Rodríguez’s documentation of the Juárez crimes,
his analysis of the unique urban conditions in which they take place,
and a discussion of the terror techniques of narco-warfare that have
spread to both sides of the border. The result is a gripping polemic. The Femicide Machine
probes the chaotic confluence of global capital with corrupt national
politics and displaced, transient labor, and introduces the work of one
of Mexico’s most eminent writers to American readers.